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Oliviero Rainaldi

Oliviero Rainaldi was born in the town of Caramanico Terme, in the central Italian region of Abruzzo, in 1956. From 1975 to 1978 he studied at the Academy of Fine Arts in Venice under Emilio Vedova, and he then graduated at the Academy of Fine Arts of L’Aquila, in Abruzzo, under Fabio Mauri.

His first solo exhibition was held in Venice in 1976. His work is largely focused on the human figure, analysed through the various media of drawing, graphics, painting and sculpture. His earlier works are vaguely narrative compositions, but in the ’90s he started producing isolated figures and fragments of bodies, with a linear approach that emphasises their most ideal and essential qualities, as well as revealing subtle hidden connections with archaic and medieval art. This can be seen in the following works by Rainaldi: Gisant, 1990, Battesimi Umani, 1992, Caduti, 1993, Santo, 2000, Conversazioni, 2004, Vergine, 2006, Malebolge, 2007, Copia, 2010, Naiadi, 2012.

Over the years Rainaldi’s work has often been associated with historical locations that are not traditional exhibition spaces, and he has created installations in the following prestigious sites in Rome: the Complex of Bernini’s Church of San Andrea al Quirinale, with a work entitled Dono del Mattino, 2000; the Sala Vanvitelli at the Avvocatura Generale dello Stato, with Antigone, 2012; and the Tempietto del Bramante, with Nada y Todo, 2014.

Important solo exhibitions have been dedicated to his work at the Galleria d’Arte Moderna of Bologna in 2003, at the Palazzo Venezia of Rome in 2006, and his exhibition of sculptures using water at the gardens of the Villa Aldobrandini of Rome in 2010 was then shown at the National Museum of Villa Pisani in Venice in 2011 and at the Venice International University on the island of San Servolo, on the occasion of the 55th Venice Biennale in 2013. This was followed in 2015 and 2016 by a series of solo exhibitions in Asia at the Museum of Contemporary Art in Shanghai, at the Petronas Gallery in Kuala Lumpur and at the Partners & Mucciaccia Art Gallery in Singapore. In 2017 the Dubai International Financial Centre (DIFC) invited him to exhibit his outdoor sculptures in Dubai, together with the British sculptor Sir Tony Craig.

In the late ’90s Rainaldi explored his interest in the relationships between art and the Christian liturgy, attending a two-year course at the Pontifical Atheneum of St. Anselm in Rome followed by a three-year course of theology for lay people. He was then entrusted with several ecclesiastical commissions and he created theliturgical furnishings for several churches in Rome, Terni, Prato and Warsaw. During the Great Jubilee in theyear 2000 Pope John Paul II awarded him the title of Academic of the Pontifical Academy of Fine Arts and Letters of the Virtuosi at the Pantheon.

In 2010 he received the European Personality Award at the Campidoglio in Rome, in 2015 the Brand Personality Award from the Asia Pacific Brands Foundation (APBF) and in 2017 the Franco Cuomo International Award, with a ceremony at the Italian Senate. In 2016 he was given an honorary degree by the Roma Tre University of Rome.

Oliviero Rainaldi has also created artworks for the Robert F. Kennedy Foundation of Europe, the Frederik Meijer Gardens & Sculpture Park at Grand Rapids, Michigan, various monumental works for the Grimaldi Group, a portrait of the Queen of Malaysia, and in 2011 the controversial sculpture of Pope John Paul II that now stands in Rome’s Piazza dei Cinquecento. In 2015 the Maserati automobile company celebrated their 100th anniversary by commissioning him to create the work “Neptune in the Wind”, a large bas-relief of the Roman god Neptune made of a piece of back-lit marble.

Some of the artist’s works that are present in the permanent collections of national and international public institutions are: Human Baptisms, 1995, at the Stockholm City Hall (the Nobel Prize Award Ceremony location)Human Baptisms, 1998, at the UN Building in Geneva; Vergine, in the Collection of the Ministry of Foreign Affairs in Rome; Santo, 2012, at the Pontifical Council for Culture, Vatican City; and Caduti, at the Soumaya Foundation, Mexico City 2015.

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Solo exhibitions   

2017

Re-cherchez la femme, Societe Generale, Monte Carlo

Examples, Sconci Gallery, Dubai

The nature of things, Dubai International Financial Center, Dubai

2016

Black on white, Partners&Mucciaccia Gallery, Singapore

2015

Echos (curated by P. Benson Miller), MoCA Museum of Contemporary Art, Shanghai

Twins (curated by B. Mohamad Tahir), Galeri Petronas, Kuala Lumpur

Libra, Gallerie Annette De Keyser, Antwerp

2014

Nada y Todo (curated by O. Lottini), Tempietto del Bramante, Reale Accademia di Spagna, Rome

2013

Oliviero Rainaldi, Works 2003 – 2013 (curated by P. Benson Miller), Partners&Mucciaccia Gallery, Singapore

Aquae, Venice International University, San Servolo Island, Venice

2011

Tutto Scorre (curated by C. D’Orazio), Museo Nazionale di Villa Pisani, Stra, Venice

2010

La natura delle cose (curated by C. D’Orazio), Giardini Villa Aldobrandini, Rome

2008

Su Carta, Rossoquarantuno Galleria d’Arte Contemporanea, Trani

2007

Malebolge, Galleria Interno Ventidue Arte Contemporanea, Palazzo Taverna, Rome

2006

Oliviero Rainaldi (curated by D. Eccher), Palazzo Venezia, Rome

2005

Oliviero Rainaldi, Santa Maria degli Spiazzi, Terni

2004

Conversazioni, Il Ponte Contemporanea, Rome

Oliviero Rainaldi (curated by O. Rossi), Palazzo Bice Piacentini, San Benedetto del Tronto, Ascoli Piceno

Conversazioni, Galleria De’ Foscherari, Bologna

Bronzi, Galerie Annette De Keyser, Antwerp

2003

Oliviero Rainaldi, lavori/works 1983 – 2003 (curated by P.  Weiermair), Villa delle Rose, MAMbo, Bologna

2001

Oliviero Rainaldi, infinito presente, Ellequadro documenti arte contemporanea, Genova

Studio Lipoli, Rome.

Engagement. Where do you find painting?, Westlondonprojects, London

Rilievi, Studio d’arte contemporanea Pino Casagrande, Rome

Conversazioni, Il Ponte Contemporanea, Rome

Santo, Galleria De’ Foscherari, Bologna

2000

Dono del Mattino (curated by L. Canova, A. Olevano), Complesso di Sant’Andrea al Quirinale, Rome

Fallen. 555, The Andipa Gallery, London

Il bene e il bello. I luoghi della cura, cinquemila anni di storia, Rotonda della Besana, Milan

1999

Oliviero Rainaldi (curated by C. Chenis), Museo d’Arte Sacra Contemporanea, Fondazione Staurós italiana, San Gabriele, Teramo

Caduti, Galleria Fabjbasaglia, Rimini

1998

Caduti, Galleria Fabjbasaglia, Art Fair, Köln

Caduti, Galleria Galliani Arte Contemporanea, Genova

Caduti, Galerie Annette De Keyser, Antwerp

Battesimi Umani, Galleria Nuova Icona, Venice

1996

Caduti, Galleria Oddi Baglioni, Rome

Oliviero Rainaldi, Dina Caròla Arte Contemporanea, Napoli

1995

New Monoprints, Berghoff-Cowden Editions, Tampa, Florida

Galleria Oddi Baglioni, Rome

Battesimi Umani, Gian Ferrari Arte Contemporanea, Milan

1994

Battesimi Umani, Galerie Annette De Keyser, Antwerp

1992

Gisant, Galleria Il Ponte, Rome

1991

Gisant, Enrico Gariboldi Arte Contemporanea, Milan

1989

Seelenwanderung, Galleria Il Ponte, Rome

1987

Summae, Galleria Ugo Ferranti, Rome

1985

Oliviero Rainaldi. In-formale (curated by B. Tosi), Centro multimediale “Quarto di Santa Giusta”, L’Aquila

1978

Galleria La Fenice, Mogliano Veneto, Treviso

1976

Galleria La Stamperia, Livorno

Galleria d’arte Segno Grafico (curated by E. Di Martino), Venice

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Selected exhibitions

2018

Resonance Room 4. A changing world, a new approach (curated by A. de Keyser), Gallerie Annete de Keyser, Antwerp

2016

Matematica e bellezza. Fibonacci e il Numero Aureo, (curated by A. Zichichi), Andria, Castel del Monte.

2014

La Ceramica altrove (curated by J. Pignatelli), BACC Art Biennial of Contemporary Ceramics, Scuderie Aldobrandini per l’Arte, Frascati Rome. Catalogue.

Di Vetro. Biennale d’arte del vetro contemporaneo, II Edizione (curated by M. De Leonardis), Inghirami Palace, Sansepolcro. Catalogue.

Dove l’acqua riposa (curated by P. Aita), La Nuova Pesa Gallery, Rome.

2013

Matrilogia, Il mistero della nascita nell’arte moderna e contemporanea, Cappella Orsini Study Center, Rome.

PPP Una polemica inversa. Omaggio a Pier Paolo Pasolini, (curated by F. Alivernini), Italian Culture Institute, Brussels.

20 years of a better world, (curated by A. De Keyser), Annette de Keyser Gallery, Anversa.

Opere della collezione permanente, (curated by B. Corà), CaMusAC, Museum of Contemporary Art, Cassino. Catalogue.

Le seduzione del monocromo. Riflessioni contemporanee su Mattia Preti, (curated by P. Aita e B. Corà), Vertigo International Research Center for Culture and Contemporary Visual Arts, Cosenza. Catalogue.

A Roma. Opere della Collezione Farnesina, (curated by L. Cherubini), Art Museum “Carrillo Gil”, Mexico City.

Autoritratto. 100 autoritratti di artisti d’Italia, (curated by B. Pietromarchi – M. Alicata), Rome. Catalogue.

2012

From Picasso to the new Roman school. The never-ending cult of beauty in contemporary art (curated by C. Biasini Selvaggi) Partners & Mucciaccia Gallery, Gillam Barracks, Singapore. Catalogue.

+50. Sculture in città tra memoria (1962) e  passato (2012) (curated by G. Marziani),  Collicola Visual Arts Palace, Spoleto.

PPP Una polemica inversa. Omaggio a Pier Paolo Pasolini (curated by F. Alivernini), Incontro Palace, Rome. Catalogue.

Frederik G.H. Meijer Memorial Collection of Sculptor’s Prints and Drawings, Frederik Meijer Gardens & Sculptures Park, Grand Rapids, Michigan.

2011

Lo splendore della Verità la bellezza della Carità. Omaggio degli artisti a Benedetto XVI per il 60° di Sacerdozio (curated by G. Ravasi), Atrio dell’Aula Paolo VI, Vatican City State.

Blickachasen 8 (curated by C. Scheffel – J. Teeuwisse), Bad Homburg, Darmstadt. Catalogue.

Il Palazzo della Farnesina e le sue collezioni (curated by R. Luciani), Ara Pacis, Rome.

2010

2×010 – A Comparison Between Italian and Chinese Artists, Italy Pavilion Shangai Expo, Shangai.

In Opera 2010 – Sulle orme di P. Matteo Ricci (curated by A. Paolucci – E. Ballesi –  E. Mori), Church of San Paolo, Macerata. Catalogue.

Ab Ovo. All’origine della forma (curated by F. Alivernini – A. Caponi), Scuderie Aldobrandini, Frascati Rome. Catalogue.

Sculptors Celebrate the Legacy of Fred and Lena Meijer (curated by Joseph Antenucci Becherer), Frederik Meijer, Gardens & Sculpture Park, Grand Rapids, Michigan, USA.

2009

Il nodo sublime (curated by A. Sabato – A. Vezzosi), Museum Ideale Leonardo Da Vinci and Museum of Bigallo, Florence. Catalogue.

H2Opera (curated by G. Marziani), Mucciaccia Gallery, Rome. Catalogue.

Donne di Roma (curated by G. Cerasa), Music Park Auditorium, Rome. Catalogue.

Cromofobie (curated by S. Pegoraro), Ex Aurum, Pescara. Catalogue.

Ab Ovo.  All’origine della forma. (curated by F. Alivernini – A. Caponi), Studio Abate, Rome. Catalogue.

Senza Confini Staurós Italia (curated by M. Delrue), Scherpenheuvel-Zichem, Den Egger. Catalogue.

Italidea (curated by R. Miracco – C. Lococo), Museo José Luis Cuevas, Mexico City. Catalogue.

2008

30 e…, Palazzo Ducale, Genoa.

Open 2008. XI° Esposizione Internazionale di Sculture ed Installazioni  (curated by P. De Grandis), Venezia Lido, Isola San Servolo, Venice. Catalogue.

Tredicesima Biennale d’Arte Sacra Contemporanea. Magnificat (curated by C. Chenis), Contemporary Sacred Art Museum, Italian Staurós Foundation, San Gabriele – Isola del Gran Sasso, Teramo. Catalogue.

Viaggio nell’Arte Italiana 1950-80. Cento opere dalla Collezione Farnesina (curated by M. Calvesi – L. Canova), Placido La Moneda Cultural Center, Santiago del Cile; Art Gallery Cultural Center Art Gallery of the Pontifical Catholic University, Lima; MASP – San Paolo Art Museum, São Paulo; Museum of Fine Arts, Buenos Aires; Guadalajara University Art Museum, Guadalajara. Catalogue.

Colori di Roma (curated by G. Cerasa), Music Park Auditorium, Rome. Catalogue.

Italidea (curated by R. Miracco – C. Lococo), Guadalajara. Catalogue.

L’ energia della materia (curated by C. Biasini Selvaggi – U. Colombo Sacco di Albiano), Casa Italia, Beijing. Catalogue.

2007

Petit Format, Ugo Ferranti Gallery, Rome.

Spirit into shape. Contemporary Italian Sculpture (curated by R. Miracco), Meridian International Center, Washington DC. Catalogue.

Viaggio nell’Arte Italiana 1950-80. Cento opere dalla Collezione Farnesina (curated by M. Calvesi – L. Canova), Umjetnicka galerija BiH, Sarajevo; Foreign Art National Gallery, Sofia; Museum of Fine Arts – Szépművészeti Múzeum, Budapest; Brukenthal National Museum – Museo di Storia Casa Altemberger, Sibiu; Orangerie di Palazzo Wilanow, Warsaw; MNAC- National Museum of Contemporary Art, Bucharest. Catalogue.

Body and mind. Exclusively drawings Antony Gormley and Oliviero Rainaldi (curated by J. Putnam), Rome Campus Temple University, Rome. Catalogue.

Mythos. Miti ed archetipi nel mare della conoscenza (curated by R. Miracco), Evagoras & Kathleen Lanitis Foundation, Limassol, Cyprus. Catalogue.

Roma Punto Uno (curated by M. Coccia, M. De Candia), Regional Artistic Museum, Ivanovo; Scientific Research Museum, St. Petersburg; Samara Biennial, Samara.

2006

MACRO. La Collezione, opere scelte (curated by D. Eccher), Macro, Rome.

Daimon, Palazzo Ducale, Ellequadro Documenti, Genoa.

Mythos. Miti ed archetipi nel mare della conoscenza (curated by R. Miracco), Byzantine and Christian Museum, Athinai; Tirana National Gallery, Tirana. Catalogue.

Segni del Sacro. Arte italiana e cristianesimo: immagini del sacro oggi, in compagnia di Tiziano (curated by O. Lottini), Villa Giulia National Etruscan Museum, Rome. Catalogue.

Roma Punto Uno (curated by M. Coccia – M. De Candia), Museum of Fine Arts, Hanoi; Museum of Contemporary Art, Moscow.

2005

Obscura. Da un’idea di Claudio Abate (curated by M. Coccia), Mara Coccia Association, Rome. Catalogue.

Residenti, Pastificio Cerere Foundation, Rome.

Roma Punto Uno (curated by M. Coccia, M. De Candia), Prefecture Palace, Naha, Okinawa; Società Dante Alighieri, Karachi; Soka Gakkay Gallery, Kuala Lumpur.

2004

Le immagini del corpo, De’ Foscherari Gallery , Bologna.

Carte Italiane, Pino Casagrande Contemporary Art, Rome. Catalogue.

Roma Punto Uno (curated by M. Coccia – M. De Candia), PICI Gallery, Seoul; Tokyo Design Center, Gotanda; Kuchu Teien Tenbodai Sky Gallery, Osaka. Catalogue.

Terza Triennale d’Arte Sacra Contemporanea (curated by T. Carpentieri), Archdiocesan Seminary, Lecce. Catalogue.

XI Biennale d’Arte Sacra. Padre Nostro, dall’ascesi aniconica alla contemplazione iconica (curated by M. Vescovo – C. Chenis), Contemporary Sacred Art Museum, Italian Staurós Foundation, San Gabriele, Teramo. Catalogue.

2003

Nel Disegno. La mano veggente (curated by M. Pelizzola – V. Tassinari), Maurizio Corraini, Mantova. Catalogue.

The Bridges of Art. Celebrate: The 10 Year retrospective of Il Ponte Contemporanea 1993-2003 (curated by A. Bonito Oliva), Il Ponte Contemporanea, Rome. Catalogue.

Carte Italiane (curated by P. Casagrande), European Union Palace, Brussels. Catalogue.

La Madonna nell’Arte Contemporanea (curated by R. Giuliano – L. Zichichi), European Parliament, Brussels; Pantheon, Rome. Catalogue.

2002

Parade. Staalkaart van museum Beelden aan Zee, Museum Beelden Aan Zee, Scheveningen. Catalogue.

Az Égbolt Túlsó Felén. Olasz müvészek új generációja (curated by P. Weiermair – A. Rubbini – D. Ágnes), Mücsarnok Kunstalle, Budapest. Catalogue.

X Biennale d’Arte Sacra. Nel Segno della Luce (curated by L. Caramel – G. Billi – C. Chenis), Contemporary Sacred Art Museum, Italian Staurós Foundation, San Gabriele, Teramo. Catalogue.

Arte a Palazzo. Oraziana 2002 (curated by O. Lottini), Oraziano Museum, Orsini Palace, Licenza, Rome. Catalogue.

2001

Cinque Individualità. Fünf Zeitgenosses aus Italien, Chia, Galliani, Rainaldi, Rotella, Stefanoni, Andreas Baumgartl, Galerie für Zeitgenössische Kunst, Munich.

Cento artisti rispondono al Papa. Commento in opere e parole alla “Lettera del Papa Giovanni Paolo II agli artisti” (curated by C. Chenis), Contemporary Sacred Art Museum, Italian Staurós Foundation, San Gabriele, Teramo. Catalogue.

Eight Sculptors, Annette De Keyser Gallery, Anversa.

Forme di Pensiero. Shapes of Mind (curated by P. Casagrande), Indonesian National Museum, Jakarta; Vasby Konsthall Museum, Stockholm. Catalogue.

Nel Disegno. (curated by M. Pelizzola -V. Tassinari), Studio G7 Gallery, Bologna. Catalogue.

Segni di Pace (curated by O. Lottini), Palestrina National Archaeological Museum, Rome. Catalogue.

L’altra metà del cielo. Eine neue generation italienischer Künstler (curated by A. Rubbini – P. Weiermair), Gallery of Modern Art, Bologna. Catalogue.

2000

Boetti, Chia, Fabiani, Neri, Rainaldi, Rotella, Galerie Binz & Kraemer, Cologne.

L’altra metà del cielo. Eine neue generation italienischer Künstler (curated by A. Rubbini – P. Weiermair), Rupertinum, Salzburg; Kunstsammlungen, Chemnitz. Catalogue.

Arte Contemporanea, Lavori in corso, (curated by G. Bonasegale – M. Catalano), Municipal Gallery of Contemporary and Modern Art, Rome. Catalogue.

Novecento: artisti e arte in Abruzzo (curated by A. Gasbarrini – A. Zimarino), Michetti Museum,

Francavilla al Mare, Chieti. Catalogue.

IX Biennale d’Arte Sacra. La porta, segno di Cristo ed evento artistico (curated by M. Calvesi), Contemporary Sacred Art Museum, Italian Staurós Foundation, San Gabriele, Teramo. Catalogue.

L’intelligenza della mano, da Picasso a Beuys. Triennale Europea dell’Incisione (curated by P. Weiermair), Gorizia Castle, Gorizia. Catalogue.

La mente dell’astrazione: l’astrazione mente, Michetti Museum, Francavilla al Mare, Chieti. Catalogue.

1999

XIII Quadriennale. Proiezioni 2000. Lo spazio delle arti visive nella civiltà multimediale (curated by I. Bruno, F. Guida, P. Pallotta, O. Struffi), Exhibition Palace, Rome. Catalogue.

1998

Lettera per Oliviero. Fusion 1, da Luigi Mainolfi, Il Ponte Contemporanea, Rome.

Dal volto al ritratto (curated by L. Pratesi – S. Wasserman), Temple Gallery, Temple University, Rome. Catalogue.

Libera Mente. La figurazione del sentimento (curated by A. Rubbini – P. Weiermair), Spazio Ex Arrigoni, Capitano’s Palace, Cesena. Catalogue.

Ideal und Wirlichkeit. Das Bild des Körpers in der Kunst des 20. Jahrhunderts. Von Bonnard bis Warhol. Arbeiten auf Papier (Ideale e Realtà. L’Immagine del Corpo nell’Arte del 20°  Secolo. Da Bonnard a Warhol. Lavori su carta) (curated by P. Weiermair), Salzburger Landessammlungen für moderne und zeitgenössische Kunst, Rupertinum, Salzburg. Catalogue.

Five Years Together, Annette De Keyser Gallery, Anversa.

1997

Von Kopf bis Fuß, Fragmente des Körpers (curated by P. Weiermair), Ursula Blickle Stiftung,  Kraichtal, Germany; Kunstraum Innsbruck, Austria; Burgenländische Landesgalerie, Scloß Esterházy, ehem Stallungen, Eisenstadt, Austria;

Arte Italiana. Ultimi quarant’anni. Pittura Iconica (curated by D. Eccher – D. Auregli), Gallery of Modern Art, Bologna. Catalogue.

Triennale internazionale d’Arte Sacra di Celano (curated by C.F. Carli, F. De Santi), Piccolomini Castle, Celano, L’Aquila. Catalogue.

Arte a Palazzo. Oraziana 1997 (curated by O. Lottini), Oraziano Museum, Orsini Palace, Licenza, Rome. Catalogue.

1996

Transiti Italiani. Marilù Eustachio, Oliviero Rainaldi, Cloti Ricciardi, Polk Museum of Art, Lakeland, Florida. Catalogue.

VII Biennale d’Arte Sacra. Staurós: unità, attrazione e ricapitolazione dell’arte contemporanea, Contemporary Sacred Art Museum, Italian Staurós Foundation, San Gabriele, Teramo. Catalogue.

Fuoriuso ’96. Sotto pioggia e sotto vento (curated by C. Manzo), Ex Deposito Gestione Governativa – Fea, Pescara. Catalogue.

Seminario (curated by R. Gramiccia), Church of  San Pietro alla Carità, Tivoli, Rome. Catalogue.

Collezione permanente, Paolo Pini Art Museum, Milan. Catalogue.

Maurizio Colantuoni, Oliviero Rainaldi, ManfreDu Schu, Berend Strik, Annette De Keyser Gallery, Anversa.

I Sentieri del Fuoco. Seguendo il cammino del sole, Antico Carcere del Bargello, Pennabilli; Pieve di Santa Maria d’Antico, Maiolo; Torre civica e interno di antica casa, Casteldelci, Pesaro. Catalogue.

1995

Oddi Baglioni Gallery, Rome.

Artisti per Opening,  Rome American Academy, Rome.

Iconoclastia, Temple Gallery, Rome.

Sulla Figura, Confini Gallery, Cuneo.

1994

Quaranta x quaranta x quaranta, Tucci Russo Gallery, Turin. Catalogue.

Rosso romano (curated by J. Turner), Carlo Virgilio Gallery, Rome.

1993

Prospect 93. Eine internationale Ausstellung aktueller Kunst / An International Exhibition of Contemporary Art (curated by P. Weiermair), Frankfurter Kunstverein, Frankfurt; Schirn Kunstalle, Frankfurt am Main. Catalogue.

Premio Internazionale Biella per l’incisione, Ferrero della Marmora Palace, Biella. Catalogue.

Il tredicesimo Apostolo. Omaggio a Majakovskij, Temple Gallery, Rome; la Nuova Pesa, Rome. Catalogue.

Arte in classe (curated by L. Pratesi, M. Semeraro), Scuola “G. Carducci”, Rome. Catalogue.

Quaranta per quaranta per quaranta (curated by L. Pratesi), Il Segno Gallery, Rome. Catalogue.

1992

Giappone Italia. Giovani generazioni (curated by M. Cossu), National Gallery of Modern Art, Rome; Institute of Japanese Culture, Rome. Catalogue.

Frontiera ’92. Arte giovane in, Bolzano. Catalogue.

1991

Richard De Marco Gallery, Edimburgh.

Né in cielo né in terra (curated by P. Weiermair), Frankfurter Kunstverein, Frankfurt am Main. Catalogue.

La Collezione (curated by E. Mascelloni), Center of Contemporary Art, Rocca di Umbertide Museum, Perugia. Catalogue.

Being There/Being Here: nine perspectives in new italian art (curated by M. Schipper, G. Zamboni-Paulis), Otis/Parson School of art and Design, Los Angeles. Catalogue.

Bildsäulen und Objekte. 1991 Verkaufsausstellung, Kunstkabinett Dagmar Fleischmann, Munich. Folder.

Kunst, Europa. Italien (curated by P. Weiermair), Frankfurter Kunstverein, Frankfurt am Main. Catalogue.

1990

Italia 90. Ipotesi arte giovane (curated by FlashArt), La Fabbrica del Vapore, Milan. Catalogue.

Albanese Pellizzola Rainaldi Tornincasa (curated by C. Casorati), Rocca Possente di Stellata, Bondeno, Ferrara. Catalogue.

IV Biennale d’Arte Sacra. La crocifissione, Palazzo Montuosi – Ex Università, Pescara. Catalogue.

1989

III Biennale Giovani (curated by M. Vescovo), Exhibition Palace, Faenza. Catalogue.

Per un Museo (curated by  B. Bandini), Pinacoteca Comunale, Ravenna. Catalogue.

Premio Saatchi & Saatchi per Giovani Artisti (curated by P. Tait), Stelline Palace, Milan. Catalogue.

Il sentimento della materia (curated by A. Martino), Castello Ducale de Reseis d’Aragona, Crecchio, Chieti. Catalogue.

Scritture per l’Arte (curated by G. Frazzetto), Ex Museo Biscari, Catania. Catalogue.

1988

Giovani artisti italiani e bulgari. XL Premio Michetti, Michetti Foundation, Francavilla al Mare, Chieti. Catalogue.

Pittori e pittori (curated by T. Toniato), Bevilacqua La Masa Foundation Gallery, Venice. Catalogue.

Arte. Il pieno il vuoto (curated by M. Apa – P. Ferri, V. Perna), Corsini Palace, Albano Laziale Rome; “Carlo Levi” City Library Cultural Center, Genzano Rome; City Library, Sassoferrato Ancona. Catalogue.

1987

Under 35. Cento artisti da cento critici, Art Fair, Bologna. Catalogue.

Alternative Attuali (curated by E. Crispolti), Forte Spagnolo, L’Aquila. Catalogue.

1986

Il mare. Premio Michetti (curated by E. Crispolti), Michetti Foundation, Francavilla al Mare, Chieti. Catalogue.

1982

Autoritrattazioni, Bevilacqua La Masa Foundation, Venice. Catalogue.

L’immagine dialettica. Premio Michetti (curated by R. Sanesi), Michetti Foundation, Francavilla al Mare, Chieti. Catalogue.

1981

66ª Mostra Collettiva dell’Opera Bevilacqua La Masa, Bevilacqua La Masa Foundation, Venice. Catalogue.

1979

64a Mostra Collettiva dell’Opera Bevilacqua La Masa, Bevilacqua La Masa Foundation, Venice. Catalogue.

1977

Barbisan, Dinetto, Gambino, Rainaldi,  La Fenice Gallery, Mogliano Veneto Treviso.

1976

Segno Grafico Art Gallery, Venice. Folder.

3ª Rassegna della Grafica Contemporanea – Maggio 1976, Gallery of Modern and Contemporary Art, Albertini Palace, Forlì. Catalogue.

Collettiva di Grafica, Graphic International Center Gallery, Venice. Folder.

1975

Quattro giovani artisti a confronto, Ca’ Rezzonico Modern Art Gallery, Venice. Folder.

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Works in public collections

Soumaya Foundation, Mexico city

Venice International University, Island of St. Servolo, Venice    

Ex Sala Capitolare, General State Advocacy, Rome

Pontifical Council for Culture, Vatican City State

Piazza dei Cinquecento, Rome

Robert F. Kennedy Foundation of Europe, Rome

Collection of the Ministry of Foreign Affairs, La Farnesina, Rome

Social Club of Ministry of Foreign Affairs, Rome

MACRO Museum of Contemporary Art, Rome

Acea Energia SpA, Roma

Eataly, Rome

Frederik Meijer Gardens & Sculpture Park, Grand Rapids, Michigan

Civic Theatre, Grand Rapids, Michigan

Diocesan Museum of Terni Narni Amelia, Terni

Abruzzo Region, L’Aquila

Museum Beelden aan Zee, Scheveningen

Collection des OEuvers d’Art de l’Office des Nations Unies, Geneva

“F. A. Grue” for Ceramics, Castelli Teramo

Town Hall, Stockholm

MAMbo Gallery of Modern Art, Bologna

Museum Staurós of Contemporary Sacred Art, San Gabriele Teramo

Museum and Archive of Comtemporary Artists from Abruzzo, Castle of Nocciano, Pescara

National Institute for Graphics and Calcography, Rome

Collection of Château de Plieux, Gers, Tolouse

Polk Museum of Art, Florida

Montana State University, Bozeman, Montana

Gallery of Modern Art “Aroldo Bonzagni”, Cento

Frankfurter Kunstverein, Frankfurt

MAPP Art Museum Paolo Pini, Milan

MU. SP. A.C.  Experimental Museum of Contemporary Art, L’Aquila

Rocca Museum, Umbertide Perugia

MAR  City Art Museum of Ravenna, Ravenna

Museum Ideale Leonardo Da Vinci and Museum of Bigallo, Florence

CAMUSAC Museum of Contemporary Art, Cassino